Tombstone (1993)

Let’s all say it together: I’m you’re Huckleberry

Ok, now with that out of the way we can begin…

It’s been almost twenty-five years since Tombstone’s release and still it remains as an oft-quoted piece of easily recognizable Americana. It’s hard to find a person who even moderately enjoys westerns and hasn’t already seen the movie, so I don’t see any need to offer a review and critique, but instead, let’s just talk about it.

Tombstone was the first major movie to get mustaches right! This is a huge thing for me. As much as I love the old classics, and the old TV shows, I can never get past how clean shaven and pretty everyone was. Tombstone unapologetically hoisted upon the un-expecting American movie-going public a whole cast of men with testosterone laced sweeping ‘staches. And upper-lip coiffing was only the beginning. From this bold point the creators set forth to bring us one of the most accurate historical westerns we’ve seen.

True, some will highlight this or that element that isn’t accurate, but movie makers have to be allowed to be succinct in pulling together certain moments in order to get the point across when the alternative is to leave significant elements out altogether. But the amount of things that Tombstone gets right overrides any petty nitpicking of details that the average movie goers wouldn’t be aware of, anyway. Probably the only way to be able to get more accurately detailed would be if they were to make a week long mini-series of the whole ordeal; which would be a welcome endeavor, to my way of thinking.

Tombstone is the western for a generation. In the late 60’s Clint Eastwood teamed with Sergio Leone and re-presented westerns, changing people’s attitudes for a whole generation. Until Tombstone came along Eastwood’s spaghetti westerns were considered template of what westerns had come to mean for the world at large. But Tombstone came along and did the same thing, changing people’s notions of what westerns should look like, and their characters should act.

People like Doc Holliday and Johnny Ringo illuminated a truth about the gambling, gun-slinging men of those wild days. Wyatt and Virgil and Morgan gave us a real insight to what lawing was really like, and the challenges facing a society working hard to establish itself. Yes, these elements have been done before in westerns, but never with the accuracy and sleek style of Tombstone. It’s mix of history lessons with cool appeal imbedded itself in the minds of American consciousness.

Now, nearly twenty-five years since it’s original release, we can hope that someone is yet again up to the challenge and present us with another cinematic marvel that embodies all that Americans have loved about westerns, and define it for this generation, giving new viewers a reason to be awed by the west and the men and women who lived it.

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